Candlestick

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Object Name: 
Candlestick
Place Made: 
Accession Number: 
50.2.20 B
Dimensions: 
Overall H: 25.4 cm; Foot Diam: 13.9 cm
Location: 
Not on Display
Date: 
about 1740-1760
Primary Description: 
Candlestick. Colorless lead glass; blown, applied, with molded and cut parts. Long plain cylindrical socket, composite shaft with inverted panel-molded shouldered-stem between ringed collars above and below ball-knops with tears, annular or ringed knop at bottom, circular domed foot with scalloped edge and flat cutting on shoulder of dome and on flare; rough pontil mark.
Department: 
Provenance: 
Steuben Glass, Inc., Source
1950-10-01
Reid, Andrew Esq., Former Collection
Category: 
In Sparkling Company: Glass and Social Life in Britain during the 1700s
Venue(s)
Corning Museum of Glass 2021-05 through 2022-01-02
In 2020, the Corning Museum of Glass (CMoG) will present In Sparkling Company: Glass and Social Life in Britain during the 1700s; an exhibition exploring the role of glass, light and reflectivity in eighteenth-century social life. In the 1700s, Britain was a vibrant and commercial nation. Its growing cities were hubs of sociability, scientific advancement, trade, and finance. From glittering costume and elaborately presented confectionery, to polished mirrors and dazzling chandeliers, glass helped define the social rituals and cultural values of the period. While new innovations in glass delighted the wealthy, the material also bore witness to the ambitions of colonization and the horrors of the African slave trade. Glass beads were traded for human lives and elegant glass dishes, baskets and bowls held sweet delicacies made with sugar produced by enslaved labor. Underpinning Britain’s prosperity were aggressive foreign trade policies, colonization and a far-reaching economy of enslavement, the profits of which funded the pleasures and innovations of the fashionable world. Beginning in the intimate setting of a private dressing room, with a magnificent silver gilt dressing service made for the Duchess of Portland in about 1700, learn about how the elite prepared themselves for a night of revelry and entertainment. See the dazzling clothes and accessories worn by the ‘polished’ individual and understand the rules that governed how they behaved. Enter a specially commissioned virtual reality reconstruction of the remarkable and innovative glass-paneled drawing room designed for the Duke and Duchess of Northumberland in 1775, an interior that hasn’t been seen for nearly 200 years. Become immersed in the glittering nightlife of British elite and feel the tension between the exuberance of the fashionable world and the human cost of such sparkling company. Through a lens of glass, see what it meant to be ‘modern’ in the 1700s, and what it cost.
Masterpieces of Glass from The Corning Museum of Glass
Venue(s)
National Gallery of Art 1990-12-02 through 1991-04-14
 
Title Unknown (Rich's)
Venue(s)
Rich's Inc. 1948-10 through 1948-10
Title Unknown (Marshall Field & Co.)
Venue(s)
Marshall Field & Co., Chicago 1947-09 through 1947-12
 
National antiques exposition
Venue(s)
Madison Square Garden 1947-03 through 1947-03
In Sparkling Company: Reflections on Glass in the 18th-century British World (2020) illustrated, p. 21 (fig. 10);
Treasures from The Corning Museum of Glass (1992) illustrated, p. 85, #80; BIB# 35679
Masterpieces of Glass: A World History From The Corning Museum of Glass (1990) illustrated, pp. 164-165, pl. 74; BIB# 33819
Title Unknown (New York Sun) (1945-09-21)