Fairuz and the Elephant King at the Lake of the Moon

Title: 
Fairuz and the Elephant King at the Lake of the Moon

Notice of Upcoming Content and Access Change

The Museum is working on the future of our online collections access. A new version will be available later in 2023. During this transition period, the current version of the Collections Browser may have reduced functionality and data may be not be updated. We apologize for any inconvenience this may cause. For any questions or concerns, please contact us.

What is AAT?

The Art & Architecture Thesaurus (AAT) (r) is a structured vocabulary for generic concepts related to art and architecture. It was developed by The Getty Research Institute to help research institutions become consistent in the terminology they use.Learn More

Object Name: 
Stained Glass Panel
Title: 
Fairuz and the Elephant King at the Lake of the Moon
Place Made: 
Accession Number: 
84.4.39
Dimensions: 
Overall H: 69 cm, W: 69.1 cm
Location: 
Not on Display
Date: 
1983
Primary Description: 
Transparent blue, plum glasses; painted with scene of elephant and rabbit, plants, wood frame; stained glass, Reusche tracing black, silver stain orange intense, lead solder, putty; signed at lower left: "Catherine Thompson 1983"..
Provenance: 
Thompson, Catherine "Cappy" (American, b. 1952), Source
1984-05-04
Category: 
Inscription: 
Catherine Thompson 1983
signature
The Studio at 20
Venue(s)
Corning Museum of Glass 2016-05-26 through 2017-01-22
For 20 years, The Studio has been a starting point for emerging artists and an incubator for new work by established artists. The works on view in this exhibition are part of the Museum’s permanent collection and were created by artists who have taught or who have been artists in residence at The Studio. Additional pieces by this artistic community can be found in the Glass Collection Galleries, where they are identified by The Studio at 20 symbol. The Studio of The Corning Museum of Glass is a community of artists who come together to learn, create, and teach. Since opening its doors in 1996, The Studio has welcomed more than 20,000 students, instructors, and resident artists from around the world. What sets this teaching institution apart from others are the unique combination of facilities, the talented and dedicated staff, the inspiration of the Museum’s rich historical glass collection, and the significant holdings and staff assistance in the Rakow Research Library. In addition to being an internationally renowned glass teaching facility, The Studio is a place where artists come to make their work. A residency program supports 10–12 artists per year. Artists are selected through an application process and live and work in Corning for one month, fully supported by the staff of The Studio. The Studio is open to the public, so please stop in during your visit to the Museum. Learn more about classes, special programs, artist residencies, and instructors at The Studio.
Glass Animals: 3,500 Years of Artistry and Design (1988) illustrated, p. 212 (bottom); BIB# 32200
New Glass Review, 5 (1984) illustrated, p. 23, #89;