What is AAT?
The Art & Architecture Thesaurus (AAT) (r) is a structured vocabulary for generic concepts related to art and architecture. It was developed by The Getty Research Institute to help research institutions become consistent in the terminology they use.Learn More
More Info
Description
Primary Description:
Opaque white, amethyst lead glasses; blown, overlaid, etched, cameo-carved. Tall, ovoid shape; with flared rim and waisted neck; white overlay on amethyst; the white carved to create a stylized border of foliage and flowers on the neck; sides with five full-length female figures, one playing pipes identified as "THALIA," another with a lyre identified as "CLIO," another with billowing dress identified as "TERPSICHORE," another holding a head in one hand, a spear in the other, identified as "ERATO," and the fifth with a harp identified as "EUTERPE"; figures separated by pendant foliage and growing plants; the identities of the Muses in a band below the figures; acanthus leaves and stylized foliage border below; foot rim ground flat, with acid-etched inscription "- T & G WOODALL. DES & SCULPS."; ground concave pontil mark, with acid-etched inscription " THOMAS WEBB & SONS" in an arc, above "GEM / CAMEO."
Exhibitions (2)

Woodall Cameo Millenium
Venue(s)
Broadfield House Glass Museum 2000-05-08 through 2001-01-30

Cameo Glass: Masterpieces from 2000 Years of Glassmaking
Venue(s)
Corning Museum of Glass 1982-05-01 through 1982-10-31
Cameo glass, one of the most costly and difficult decorating techniques since first century B.C., is documented and illustrated in this catalog. Included are examples from Rome, Islam, and China, as well as English 19th-century masterpieces by John Northwood and George Woodall among others.
For the purposes of this catalog, the term “cameo glass” is used to refer to cased glass objects with two or more differently colored layers. The outer layer is usually an opaque or opalescent white, and the outer layer or layers have been carved in to leave the decoration standing in relief against a body of contrasting color. Shading is produced by thinning down the carved layer; highlights are created where the glass is left thickest.
Both this catalog, and the exhibition for which it was created, documents the 2000-year cameo glass tradition.
Publications (11)
English Cameo Glass in The Corning Museum of Glass (1994)
illustrated, pp. 42-43, 62, fig. 39;
BIB# 35913
Cameo Glass: Masterpieces from 2000 Years of Glassmaking (1982)
illustrated, pp. 75, 114-115, #67;
BIB# 30609
From Broad-Glass to Cut Crystal, a history of the Stourbridge glass industry (1956)
p. 142a;
BIB# 27576
English 19th Century Cameo Glass (1951)
p. 199, fig. 6;
Title Unknown (Country Life) (1951)
p. 199, fig. 6;
Title Unknown (JSGT) (1949)
p. 109, fig. 11;