Wine Glass

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Object Name: 
Wine Glass
Place Made: 
Accession Number: 
79.3.5 D
Dimensions: 
Overall H: 14.7 cm; Rim Diam (max): 8 cm
Location: 
On Display
Date: 
designed in 1917
Primary Description: 
Wine Glass in “Patrician” pattern. Colorless Muslin glass; mold-blown, hot-worked.
Department: 
Pattern Name: 
Patrician
Provenance: 
Lillian Nassau LLC, Source
1979-03-06
Category: 
Color: 
Material: 
Fire and Vine: The Story of Glass and Wine
Venue(s)
Corning Museum of Glass 2021-07-03 through 2022-12-31
Explore the many ways glass touches wine as it travels from the grape to your goblet in Fire and Vine: The Story of Glass and Wine. The entwined histories of glass and wine extend back thousands of years, from lavish feasts of ancient Rome, to the polite society of Britain in the 1700s, to formal dinner parties of post-war America, to an essential experience within our contemporary food culture. The strength, impermeability, and versatility of glass has played an important role in every step of wine’s journey, from the production, distribution, sale, and ultimately the enjoyment of this intoxicating beverage. During your visit, you’ll see a rare 2,000-year-old fragment of cameo glass depicting a grape harvest, a still-sealed bottle of wine found in a shipwreck off the coast of England, and an exceptional 400-year-old document describing an “almost unbreakable glass jar” that could prevent wine from spoiling. A focal point of the exhibition will be a dense display of dozens of wine glasses from around the world, representing many styles and tastes, fit for a variety of occasions. You will be able to envision the stories behind the glasses—and imagine yourself partaking from this delicate stemware that’s been part of countless life moments. In the exhibition, you'll also explore how the story of glass and wine has particular relevance in the Finger Lakes of New York State, which has been a nexus for both the glass and wine industries for more than 150 years. Independent, entrepreneurial winemakers and glass artists have found a mutual home in this region, building on historical tradition with new creative energy that makes Corning and the Finger Lakes an international hub for the entwined industries of fire and vine.
Glass of the Architects: Vienna, 1900-1937
Venue(s)
Corning Museum of Glass 2018-06-23 through 2019-01-06
Today, we think of architects as people who design buildings, construct skylines, and help create the visual identities of our cities and towns. But at the turn of the 20th century in Europe, the term architect applied not just to people who designed buildings, but to people who designed all aspects of interior decoration. They believed their role was to seamlessly integrate a modern aesthetic into all aspects of daily life. For these architects, furniture, ceramics, textiles, and glass, played an essential role in completing their new artistic vision. Glass of this period emerged from a confluence of ideas, individuals, and cultures, and reflected a spirit of modernity. Glass of the Architects: Vienna, 1900–1937 explores this transformative period in Austrian design. Approximately 170 objects, including the installation of Josef Hoffmann’s complete room, Boudoir d’une grande vedette (first displayed at the 1937 Paris World Exhibition), illustrate the immense variety of techniques and varied aesthetics of Austrian glass during this period. Together, architects and designers built upon existing traditions of glassmaking by leveraging the network of design and technical schools, and relying on manufacturers, retailers, and exhibitions to promote and disseminate their ideas on a global scale. Glass of the Architects: Vienna, 1900–1937 is a cooperation of the MAK and LE STANZE DEL VETRO. At the MAK and LE STANZE DEL VETRO, the exhibition was curated by Rainald Franz, MAK Curator, Glass and Ceramics Collection.
 
Industrial Design, Unikate, Serienerzeugnisse: (1985) illustrated, p. 134; BIB# 23038