Plum Woven Heaven, Tangled Earth [electronic resource] / Corning Museum of Glass.

Title: 
Plum Woven Heaven, Tangled Earth [electronic resource] / Corning Museum of Glass.

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Publisher: 
Corning, N.Y. : Corning Museum of Glass, 2011.
Description: 
1 streaming video file (2 min.) : digital, sd., col.
Other Authors: 
Oldknow, Tina.
Corning Museum of Glass.
Format of Material: 
Video
Bib ID: 
134421
Find this in the library
Location: 
Streaming Video
Call Number: 
No call number available
Notes: 
Title from resource description page.
Mode of access: internet.
Narration by Tina Oldknow, curator modern glass, The Corning Museum of Glass.
Listen as curator Tina Oldknow, describes the object "Woven Heaven, Tangled Earth" by artist Susan Plum. For Plum, glass is a metaphor for light. She works with it as a way, she says, to "concretize the invisible." Plum prefers borosilicate glass for its high silica content and its strength. Using three-millimeter Pyrex rods, she weaves her pieces using a small torch. This sculpture was inspired by Plum's research into ancient Mesoamerican cosmology. Her woven work was originally inspired by the Mayan goddess Ixchel, the first weaver of the Americas. She later learned that the Maya and the Aztec used the weaver's loom as a metaphor for the universe. This loom of the universe was believed to be constructed of filaments of light, out of which the heavens and earth were woven. The light strands become entangled around the earth, and it is the job of the shaman to untangle this "discord." "Thus," Plum says, "the act of weaving symbolically rebuilds and re-energizes the world."
Not commercially distributed.
Object/Material Note: 
Related to CMoG object: 2001.4.70.