All About Glass
All About Glass
This is your resource for exploring various topics in glass: delve deeper with this collection of articles, multimedia, and virtual books all about glass. Content is frequently added to the area, so check back for new items. If you have a topic you'd like to see covered, send us your suggestion. If you have a specific question, Ask a Glass Question at our Rakow Research Library.
Pages
Learn more about Louis Comfort Tiffany and his work. In this podcast, Bill Gudenrath, the Museum's resident adviser to The Studio and a glass historian, interviews curator of American glass, Jane Shadel Spillman, and librarian at the Museum's Rakow Research Library, Diane Dolbashian. Both
In their well-known attempts to make gold, alchemists also provided the foundation for modern chemistry and material sciences. This exhibition explores Northern European glass of the Baroque period and examines the technical advances in glassmaking made by alchemists during that time. Their work
Mt. Washington Glass Company United States, New Bedford, MA 1889–1900 Glass, blown, cut, ground, polished Overall H: 14.9 cm, Diam (max): 17.9 cm (2007.4.60) The cut glass pattern used for this bowl was patented on March 12, 1889, by Frederick Shirley, the Englishman who was the manager of Mt.
801 René Lalique’s decision to focus on glass was influenced by a large commission he was offered by the well-known French perfume-maker François Coty. Coty asked Lalique to design special perfume bottles for his fragrances, which had become famous worldwide.
808 In “Botanical Wonders: The Story of the Harvard Glass Flowers,” The Corning Museum of Glass brings to bear its unique curatorial, conservation, and glassmaking capabilities to illuminate more fully than ever before the story of the delicate glass replicas of botanical specimens known as the
810 In Botanical Wonders: The Story of the Harvard Glass Flowers, The Corning Museum of Glass brings to bear its unique curatorial, conservation, and glassmaking capabilities to illuminate more fully than ever before the story of the delicate glass replicas of botanical specimens known as the Glass
809 In “Botanical Wonders: The Story of the Harvard Glass Flowers,” The Corning Museum of Glass brings to bear its unique curatorial, conservation, and glassmaking capabilities to illuminate more fully than ever before the story of the delicate glass replicas of botanical specimens known as the
807 In “Botanical Wonders: The Story of the Harvard Glass Flowers,” The Corning Museum of Glass brings to bear its unique curatorial, conservation, and glassmaking capabilities to illuminate more fully than ever before the story of the delicate glass replicas of botanical specimens known as the
804 In “Botanical Wonders: The Story of the Harvard Glass Flowers,” The Corning Museum of Glass brings to bear its unique curatorial, conservation, and glassmaking capabilities to illuminate more fully than ever before the story of the delicate glass replicas of botanical specimens known as the
803 In “Botanical Wonders: The Story of the Harvard Glass Flowers,” The Corning Museum of Glass brings to bear its unique curatorial, conservation, and glassmaking capabilities to illuminate more fully than ever before the story of the delicate glass replicas of botanical specimens known as the
805 In “Botanical Wonders: The Story of the Harvard Glass Flowers,” The Corning Museum of Glass brings to bear its unique curatorial, conservation, and glassmaking capabilities to illuminate more fully than ever before the story of the delicate glass replicas of botanical specimens known as the
806 In “Botanical Wonders: The Story of the Harvard Glass Flowers,” The Corning Museum of Glass brings to bear its unique curatorial, conservation, and glassmaking capabilities to illuminate more fully than ever before the story of the delicate glass replicas of botanical specimens known as the
802 In “Botanical Wonders: The Story of the Harvard Glass Flowers,” The Corning Museum of Glass brings to bear its unique curatorial, conservation, and glassmaking capabilities to illuminate more fully than ever before the story of the delicate glass replicas of botanical specimens known as the
801 In “Botanical Wonders: The Story of the Harvard Glass Flowers,” The Corning Museum of Glass brings to bear its unique curatorial, conservation, and glassmaking capabilities to illuminate more fully than ever before the story of the delicate glass replicas of botanical specimens known as the
800 In “Botanical Wonders: The Story of the Harvard Glass Flowers,” The Corning Museum of Glass brings to bear its unique curatorial, conservation, and glassmaking capabilities to illuminate more fully than ever before the story of the delicate glass replicas of botanical specimens known as the
817 The phrase “medieval glass” evokes images of stained glass windows. But there is another world of medieval glass: objects made for daily use. This is the first exhibition in the United States devoted to glass made for the use of popes, princes, and peasants in the Middle Ages.
A survey of one of the largest and finest collections of contemporary studio glass in the United States, Voices of Contemporary Glass showcases, for the first time, the collection donated to the Museum in 2006 by Ben W. Heineman, Sr. and his wife, Natalie G. Heineman. Over a period of 21 years, Mr.
A survey of one of the largest and finest collections of contemporary studio glass in the United States, Voices of Contemporary Glass showcases, for the first time, the collection donated to the Museum in 2006 by Ben W. Heineman, Sr. and his wife, Natalie G. Heineman. Over a period of 21 years, Mr.
A survey of one of the largest and finest collections of contemporary studio glass in the United States, Voices of Contemporary Glass showcases, for the first time, the collection donated to the Museum in 2006 by Ben W. Heineman, Sr. and his wife, Natalie G. Heineman. Over a period of 21 years, Mr.
A survey of one of the largest and finest collections of contemporary studio glass in the United States, Voices of Contemporary Glass showcases, for the first time, the collection donated to the Museum in 2006 by Ben W. Heineman, Sr. and his wife, Natalie G. Heineman. Over a period of 21 years, Mr.
A survey of one of the largest and finest collections of contemporary studio glass in the United States, Voices of Contemporary Glass showcases, for the first time, the collection donated to the Museum in 2006 by Ben W. Heineman, Sr. and his wife, Natalie G. Heineman. Over a period of 21 years, Mr.
A survey of one of the largest and finest collections of contemporary studio glass in the United States, Voices of Contemporary Glass showcases, for the first time, the collection donated to the Museum in 2006 by Ben W. Heineman, Sr. and his wife, Natalie G. Heineman. Over a period of 21 years, Mr.
A survey of one of the largest and finest collections of contemporary studio glass in the United States, Voices of Contemporary Glass showcases, for the first time, the collection donated to the Museum in 2006 by Ben W. Heineman, Sr. and his wife, Natalie G. Heineman. Over a period of 21 years, Mr.
A survey of one of the largest and finest collections of contemporary studio glass in the United States, Voices of Contemporary Glass showcases, for the first time, the collection donated to the Museum in 2006 by Ben W. Heineman, Sr. and his wife, Natalie G. Heineman. Over a period of 21 years, Mr.
A survey of one of the largest and finest collections of contemporary studio glass in the United States, Voices of Contemporary Glass showcases, for the first time, the collection donated to the Museum in 2006 by Ben W. Heineman, Sr. and his wife, Natalie G. Heineman. Over a period of 21 years, Mr.
A survey of one of the largest and finest collections of contemporary studio glass in the United States, Voices of Contemporary Glass showcases, for the first time, the collection donated to the Museum in 2006 by Ben W. Heineman, Sr. and his wife, Natalie G. Heineman. Over a period of 21 years, Mr.
A survey of one of the largest and finest collections of contemporary studio glass in the United States, Voices of Contemporary Glass showcases, for the first time, the collection donated to the Museum in 2006 by Ben W. Heineman, Sr. and his wife, Natalie G. Heineman. Over a period of 21 years, Mr.
A survey of one of the largest and finest collections of contemporary studio glass in the United States, Voices of Contemporary Glass showcases, for the first time, the collection donated to the Museum in 2006 by Ben W. Heineman, Sr. and his wife, Natalie G. Heineman. Over a period of 21 years, Mr.
A survey of one of the largest and finest collections of contemporary studio glass in the United States, Voices of Contemporary Glass showcases, for the first time, the collection donated to the Museum in 2006 by Ben W. Heineman, Sr. and his wife, Natalie G. Heineman. Over a period of 21 years, Mr.
A survey of one of the largest and finest collections of contemporary studio glass in the United States, Voices of Contemporary Glass showcases, for the first time, the collection donated to the Museum in 2006 by Ben W. Heineman, Sr. and his wife, Natalie G. Heineman. Over a period of 21 years, Mr.