All About Glass
All About Glass
This is your resource for exploring various topics in glass: delve deeper with this collection of articles, multimedia, and virtual books all about glass. Content is frequently added to the area, so check back for new items. If you have a topic you'd like to see covered, send us your suggestion. If you have a specific question, Ask a Glass Question at our Rakow Research Library.
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In their well-known attempts to make gold, alchemists also provided the foundation for modern chemistry and material sciences. This exhibition explores Northern European glass of the Baroque period and examines the technical advances in glassmaking made by alchemists during that time. Their work
In their well-known attempts to make gold, alchemists also provided the foundation for modern chemistry and material sciences. This exhibition explores Northern European glass of the Baroque period and examines the technical advances in glassmaking made by alchemists during that time. Their work
In their well-known attempts to make gold, alchemists also provided the foundation for modern chemistry and material sciences. This exhibition explores Northern European glass of the Baroque period and examines the technical advances in glassmaking made by alchemists during that time. Their work
In their well-known attempts to make gold, alchemists also provided the foundation for modern chemistry and material sciences. This exhibition explores Northern European glass of the Baroque period and examines the technical advances in glassmaking made by alchemists during that time. Their work
In their well-known attempts to make gold, alchemists also provided the foundation for modern chemistry and material sciences. This exhibition explores Northern European glass of the Baroque period and examines the technical advances in glassmaking made by alchemists during that time. Their work
The phrase “medieval glass” evokes images of stained glass windows. But there is another world of medieval glass: objects made for daily use. This is the first exhibition in the United States devoted to glass made for the use of popes, princes, and peasants in the Middle Ages.
The phrase “medieval glass” evokes images of stained glass windows. But there is another world of medieval glass: objects made for daily use. This is the first exhibition in the United States devoted to glass made for the use of popes, princes, and peasants in the Middle Ages.
The phrase “medieval glass” evokes images of stained glass windows. But there is another world of medieval glass: objects made for daily use. This is the first exhibition in the United States devoted to glass made for the use of popes, princes, and peasants in the Middle Ages.
The phrase “medieval glass” evokes images of stained glass windows. But there is another world of medieval glass: objects made for daily use. This is the first exhibition in the United States devoted to glass made for the use of popes, princes, and peasants in the Middle Ages.
The phrase “medieval glass” evokes images of stained glass windows. But there is another world of medieval glass: objects made for daily use. This is the first exhibition in the United States devoted to glass made for the use of popes, princes, and peasants in the Middle Ages.
The phrase “medieval glass” evokes images of stained glass windows. But there is another world of medieval glass: objects made for daily use. This is the first exhibition in the United States devoted to glass made for the use of popes, princes, and peasants in the Middle Ages.
The phrase “medieval glass” evokes images of stained glass windows. But there is another world of medieval glass: objects made for daily use. This is the first exhibition in the United States devoted to glass made for the use of popes, princes, and peasants in the Middle Ages.
The phrase “medieval glass” evokes images of stained glass windows. But there is another world of medieval glass: objects made for daily use. This is the first exhibition in the United States devoted to glass made for the use of popes, princes, and peasants in the Middle Ages.
The phrase “medieval glass” evokes images of stained glass windows. But there is another world of medieval glass: objects made for daily use. This is the first exhibition in the United States devoted to glass made for the use of popes, princes, and peasants in the Middle Ages.
The phrase “medieval glass” evokes images of stained glass windows. But there is another world of medieval glass: objects made for daily use. This is the first exhibition in the United States devoted to glass made for the use of popes, princes, and peasants in the Middle Ages.
The phrase “medieval glass” evokes images of stained glass windows. But there is another world of medieval glass: objects made for daily use. This is the first exhibition in the United States devoted to glass made for the use of popes, princes, and peasants in the Middle Ages.
The phrase “medieval glass” evokes images of stained glass windows. But there is another world of medieval glass: objects made for daily use. This is the first exhibition in the United States devoted to glass made for the use of popes, princes, and peasants in the Middle Ages.
The phrase “medieval glass” evokes images of stained glass windows. But there is another world of medieval glass: objects made for daily use. This is the first exhibition in the United States devoted to glass made for the use of popes, princes, and peasants in the Middle Ages.
The phrase “medieval glass” evokes images of stained glass windows. But there is another world of medieval glass: objects made for daily use. This is the first exhibition in the United States devoted to glass made for the use of popes, princes, and peasants in the Middle Ages.
The phrase “medieval glass” evokes images of stained glass windows. But there is another world of medieval glass: objects made for daily use. This is the first exhibition in the United States devoted to glass made for the use of popes, princes, and peasants in the Middle Ages.
The phrase “medieval glass” evokes images of stained glass windows. But there is another world of medieval glass: objects made for daily use. This is the first exhibition in the United States devoted to glass made for the use of popes, princes, and peasants in the Middle Ages.
The phrase “medieval glass” evokes images of stained glass windows. But there is another world of medieval glass: objects made for daily use. This is the first exhibition in the United States devoted to glass made for the use of popes, princes, and peasants in the Middle Ages.
The phrase “medieval glass” evokes images of stained glass windows. But there is another world of medieval glass: objects made for daily use. This is the first exhibition in the United States devoted to glass made for the use of popes, princes, and peasants in the Middle Ages.
The phrase “medieval glass” evokes images of stained glass windows. But there is another world of medieval glass: objects made for daily use. This is the first exhibition in the United States devoted to glass made for the use of popes, princes, and peasants in the Middle Ages.
A survey of one of the largest and finest collections of contemporary studio glass in the United States, Voices of Contemporary Glass showcases, for the first time, the collection donated to the Museum in 2006 by Ben W. Heineman, Sr. and his wife, Natalie G. Heineman. Over a period of 21 years, Mr.
A survey of one of the largest and finest collections of contemporary studio glass in the United States, Voices of Contemporary Glass showcases, for the first time, the collection donated to the Museum in 2006 by Ben W. Heineman, Sr. and his wife, Natalie G. Heineman. Over a period of 21 years, Mr.
Advertisement for Mt. Washington: Rich cut and decorated wares, including Royal Flemish and Albertine decoration, from the November 1890 issue of The Jewelers Circular and Horological Review. Mt. Washington advertised itself as the “Headquarters for Art Glass in America” in 1889 and into the 1890s.
Mt. Washington Glass Company United States, New Bedford, MA 1878–1880 Glass, blown, enameled H: 20.4 cm, D (max.): 15.6 cm (76.4.17) The first Art Glass made by Mt. Washington (or any American company, as far as we know) was called Sicilian because it was supposed to contain volcanic lava from Mt.
Mt. Washington Glass Company United States, New Bedford, MA About 1885–1895 Glass, metal; blown, enameled, mounted, decorated Overall H: 48.5 cm (79.4.91) The most popular Art Glass made by Mt. Washington, in production from 1885 until 1895, was Burmese glass. This opalescent glass shaded from pink
Mt. Washington Glass Company United States, New Bedford, MA 1886–1890 Lead glass, enamel, gilding; blown, applied, enameled Overall H: 16.4 cm, W: 12 cm (2002.4.39) Peachblow glass, another Art Glass, was made contemporaneously with Burmese glass, though it had a different chemical composition and